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Very tall, lean, with an oval face and a clear skin. He had still his fine Semitic profile and the lustrousīlack eyes that had caused havoc in so many a Gentile breast. It was not hard to believe that in youth he had been as beautifulĪs people said. Was white, but he had kept his figure and held himself as gallantly asĮver. I first knew him and at the time of which I write he was well over I had known the Blands a long time before I discovered that they had anyĬonnection with Ferdy Rabenstein. Not drawing a faithful portrait of himself, but creating a character for Ingenious, a little wittier, a little wiser than he, the writer, really
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Level-headed, a little shrewder, a little braver, a little more Makes the I of his story a little quicker on the uptake, a little more The writer who uses this device is writing fiction and if he He may be the hero or he may be an onlooker or a confidant. But the I who writes is just as much aĬharacter in the story as the other persons with whom it is concerned. Lost the great advantage of verisimilitude which writing in the first In the nature of things they couldn't possibly have witnessed. They would narrate longĬonversations that they couldn't possibly have heard and incidents which Some of the older novelists who wrote in theįirst person were in this respect very careless. What he knows for a fact and can leave to your imagination what heĭoesn't or couldn't know. Merit from the story-teller's point of view that he need only tell you When he tells you what happened to somebody else. Himself you are more likely to believe that he is telling the truth than Its object is of course to achieveĬredibility, for when someone tells you what he states happened to Petronius Arbiter in the Satyricon and by many of the story-tellers in Literary convention which is as old as the hills. Of my stories are written in the first person singular. That is what I have tried to do in this particular series. Pointless the author has himself to make it coherent, dramatic and The material it offers for stories is scrappy and Intelligence Department is on the whole monotonous. It starts a story at haphazard, generally long before theīeginning, rambles on inconsequently and tails off, leaving loose ends Preface to the volume in which these stories appeared, is a poor I should like to impress upon the reader that they are not what theįrench call reportage, but works of fiction. They are founded on experiences of my own during that war, but Thought it well, notwithstanding their great length, to put them all Since they are connected by this character of my invention I have Of stories dealing with the adventures of an agent in the Intelligenceĭepartment during the First World War. So I divided them in each volume into four groups. If I interspersed them with short ones set in other parts of the world,
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These are so long that I thought it would give the reader a rest In those I put the stories I wrote in which the scene was laid in Somewhat different arrangement from that which I have made in the other In this, the second volume of my collected stories, I have made a Harrington's Washing Lord Mountdrago Sanatorium The Social Sense The Verger In a Strange Land The Taipan The Consul A Friend in Need The Round Dozen The Human Element Jane Preface The Alien Corn The Creative Impulse Virtue The Man with the Scar The Closed Shop The Bum The Dream The Treasure The Colonel's Lady Miss King The Hairless Mexican Giulia Lazzari The Traitor His Excellency Mr. This ebook was produced by Al Haines, Mark Akrigg,Ĭindy Beyer & the Online Distributed ProofreadingĪs part of the conversion of the book to its new digitalįormat, we have made certain minor adjustments in its layout.
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